When I heard the first single off Lady Gaga’s new album (Joanne) I anticipated the record to be a flop. Initially I wasn’t keen on Perfect Illusion. I set it as my alarm, using the almost screamed vocals to scare me into the shower every morning. I’m not proclaiming Perfect Illusion is bad but a generic pop tune that most recording artists churn out. It certainly lacks the catchy nature of her other major songs but unlike her other work seems to come from a more emotional place. This is true of the whole album. Gaga has ditched excessive electronic sound and penis metaphors for a country, rock and roll vibe and lyrics fueled on feeling. The new employment of a classically American sound has taken the artist in a new audio direction and along with the more personal rhymes has possibly help create her best collaborative work.
Mark Ronson has heavily been involved in the making of the record. His renowned affinity for sampling becomes obvious in songs like Come to Mama which reminds me of the Beatles. A lot of the album carries this feeling with Dancin in Circles being a re-imagining of Madonna’s La Isla Bonita with Gwen Stefani style vocals. Similarly, Diamond Heart and Grigio Girls feel like heavily stolen melodies and a result of this is that parts of the song structure, when transitioning from verse to chorus, tend to sound clunky and oddly rushed. However, the record is overall much more enjoyable and less aggressively synth than previous sounds resulting in an album that is a lot easier to listen to even if the vocals are a lot louder, harsher and emotionally unrestrained.